Angela Lamprianidou cia.LAVS
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Choreographer & Performer





SITz

 2010
 Barcelona

 Sara Blaylock from thehiddenpeople.com:
 I saw an exciting and inventive dance entitled ´SITz´ on Thursday, April 29.
  This work, which fuzzed the line between performance art and contemporary dance,
  featured three dancers,enacting the learning of movement.
  Angela Lamprianidou´s choreography channeled a proto-human,or perhaps
  post-human,world,where upright movement was an unlearned or forgotten skill.
  They stumbled to stand,combined their bodies to caterpillar walk,
  and at times moved like high functioning robots.
  Though abstract and unconventional,the movements were,for the most part,articulate and
  skillfully executed by SITz´s dancers Julia Koch,Mireia de Querol and Lamprianidou.
  The dance was reinforced by a textured soundscape,composed by
  P.Rose and C.Galle of Institut Fátima,which moved from a subtle static
  to literally banging beats to an over-the-top loud waltz.


 Emma Haro:
 Domingo lluvioso en esta atípica primavera barcelonesa. En el Mercat de les flors se
  estrena SITz el último espectáculo de la coreógrafa y bailarina griega Angela Lamprianidou...



Back To Emotions (es)

 2009
 Barcelona

 blog.ductaduc.com

 www.tea-tron.com
  Quim Pujol, en su faceta de crítico con peluca acaba de decir sobre
  el trabajo de Angela Lamprianidou, otra performer casera,
  que se trata de una de las experiencias escénicas más especiales
  que he vivido en los últimos años.
  iViva el performer en zapatillas!
  www.fuga.es

 time out magazin barcelona 27.2-3.3.09

 Interview on radio contrabanda
  with Antonio Narváez



Tongue

 2008
 Teatre ovidi montllor en barcelona/Institut del theatre

 Aleix Vidaldi:
 Three different languages,finnish,greek,czech.Choreographies which
  were representing the rhythm of this very personal tongues.
  An interactive piece with the audience what was full of humor,irony
  and just the dance language unit those three excellent dancers,who were
  feeling like if they would be talking,dancing,playing at home,on stage.




El cuerpo del otro

 2006/7
 Barcelona

 Iris Schabert:
 An excellent composition which was intelligently based on the mixture
  of medical explanation with emotional landscapes.While a voice from
  the off commented on reactions of the bodies on stage,the audience were
  alternating between sympathetic involvement and rational distance, which
  enabled them to experience their own bodies at the same time.


 Roger Bernat:
 Sehr sehr gut



Sit

 2007
 Pfalzbaum Theater Ludwigshafen

 Ellen Kokoras:
 Rarely have I seen anybody with a new and particular body language.The fusion
  of movement and facial expression was astounding.Everybody should go see this!




Short cuts

 2006
 Bremen Schwankhalle

 Carlos Murias:
 A perplex performance before its perplexities



Katharsi

 2005
 Barcelona (Nau Ibanov,Teatre Estudi,Gava American Lake,CvBarceloneta,La caldera.)
 Bremen Outnow Festival

 Antonio P.Collom:
 As the word,so the show.Two dancers in strong positions. One weak,one strong. Changing
  of emotions in a very abstract way.A game with light and shadow over hypocrisy


 Agusti Ros:
 I left this performance and I was happy to have lived,shared moments of communication



Loop

 2005

 Roberto F.Serafide:
 Loop,by A.Lamprianidou,is a half ironic and half ritual choreographic
  cameo about symbolic meaning (but also the symbol´s impoverishment)
  in circle-based dance.The author achieves this result by composing
  a ´solo on spot´,where outbalanced ´release´ figures alternate with
  a self-conscious useof what we´ll call an ´hysterical slapstick´.
  And all that on a mesmeric,deliberately non-musical score,which
  according to the title,suggests the repetitiveness of all emotional,
  kinetic, conceptual ´event´ deferring to the rhetoric of birth,
  dissolution,rebirth.In order to express her ambivalence towards that
  concept (a mixture of religious wisdom and satyrical skepticism)
  Lamprianidou ´selects´ as the dance´s totem,a butterfly shaped
  buckle,situated at the very crossroad of postmodern camp and
  mythical reference,ideally persisting on stage when already
  the dance and its interpreter have left.




Time

 2002/3
 Barcelona
 Erlangen Arena Festival

 Arena Spots:
 A per4mance where u were breathing deep
  and lovely from the beginning to the end



Art Sit

 1999
 Erlangen Arena Festival

 Erlanger Nachrichten:
 Even the toilets have been designed by A.Lamprianidou, a
  fantasy world with a fantastic result.Angela says that we have
  the best feelings on the toilet,which is why she chose to design
  this artistic surrounding and give it more art-s(h)it.