SITz

"SITz" declines the paradox of a
dynamic world that exists beyond
any possibility of occupying the
upper quarters of erect stance,
still seeking its dance,
the paradigm of its unsteadiness.
Sitz is the fickle, and thus never
-ending, dance of the homo sedens,
who typically based his vision
of history on a basic contrast
between erect actors and a sitting
audience, between doing and watching,
starring and "witnessing".
For that very reason, the social
and cultural protocols of sitting
(and their perverted choreographies)
are of special concern to women,
the comprimarie (and almost force-
fully the biological audience)
of a rather macho history.